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Hey.xyz is a decentralized, and permissionless social media app built with Lens Protocol 🌿
Publications
- 倒了
- @lens/erumina44, welcome to lens!
now let's get started your orb journey!
https://orb.club/@erumina44
- dk;shnvskdfsfsa
- “Smoke Bomb”
Experimenting with a 99% referral reward for reposting this stinker.
- “Smoke Bomb”
Experimenting with a 99% referral reward for reposting this stinker.
- Hi lens friends
🥷🖤
- ps2filter - galverse mama AI
- ‘Crossjaded' (2023)
A mixed media piece created using the local newspaper's crossword puzzle, AI outputs, and some touchups via Procreate and Photoshop.
Life comes with many challenges and can often feel like having to solve a never-ending puzzle. Embrace the journey! ⚡️
1/1 available to collect for 15k BONSAI
- Lastly, the volatility of cryptocurrency prices is also a concern. For many people, the price fluctuations of cryptocurrencies may be too extreme, making them hesitant to invest or use cryptocurrencies. Addressing this issue may require more stablecoins and other derivatives to help reduce market volatility.
- 🍟👸🏻
- Another significant issue is the legal and regulatory environment surrounding cryptocurrencies. Many countries are in the process of drafting or amending regulations to accommodate the development of cryptocurrencies, but the uncertainty in the regulatory environment may affect the confidence of investors and regular users, hindering widespread adoption of cryptocurrencies.
- Great LoFi track for Monday evening
- I am actively working on onboarding artists and builders from Sierra Leone.
Ultimately DeSoc doesn’t win unless users enjoy the products and bring their friends.
Who are your favorites Lens Proliferators?
- Which of the LIPs should get more attention?
- Really great collect ✨
- “Smoke Bomb”
Experimenting with a 99% referral reward for reposting this stinker.
- **Morning peace**
Gm frens
- “12K” - second track of the day! Featuring my friend Andrew on the second verse, we made this song because we were angry at the cops haha, produced by me
Enjoy!
- In memecoins you can see social currency, sentiment and culture reflected in an order book in real time, in some way lens is a cabal right now,
and our memecoins can work as a trojan horse on other platforms to bring more and more people here, echo chambers are not good, expansion is the name of conquer,
you are not aware about the power you have, most of the content that pump a project to valhala on X for example are made by regular ppl, but here we have a looooot of artists making amazing content/art based on our memes,
so go and share your bonsai, chaos, fries, 00, fish, sun, electric or whatever art on other platforms too, just share!! You can still sell them here, expand our culture & they will come naturally, your role is meaningful,
remember that the power of art is that it can create worlds🔥
- 2.52k followers on @lens/lens !
Wen 3k???🥺
Free mint for everyone!
- One of the most pressing issues for the widespread adoption of cryptocurrencies among the general public is usability and practicality. Despite the existence of cryptocurrency technology for some time, it still isn't mainstream in most people's daily lives. One reason for this is that many cryptocurrency wallets and trading platforms have interfaces that are relatively complex and may not be user-friendly for non-technical individuals. Additionally, security of cryptocurrencies is a key concern, including how users can securely store, transmit, and manage their crypto assets.
- Good morning!! Do you like this canvas?
- Feeling rock and roll again. FEED MEEEE!!!!
- “Smoke Bomb”
Experimenting with a 99% referral reward for reposting this stinker.
- Will always be grateful for @lens/grams continuously encouraging me to get on Lens till I gave in and joined a year ago.
It seems like @lens/frankiestyles has been a big inspiration for many of the newcomers the last couple weeks.
I am actively working on onboarding artists and builders from Sierra Leone.
Ultimately DeSoc doesn’t win unless users enjoy the products and bring their friends.
Who are your favorites Lens Proliferators?
- Here's an illustration of the looping problem with mp4 videos on the internet. Why we don't have perfect video loops
- 抽獎
- @lens/rebecca51, welcome to lens!
now let's get started your orb journey!
https://orb.club/@rebecca51
- 🔥😮💨 This text might just be the clearest explanation yet of where my curatorial partner Vienna and I stand in our Technostalgia research and curatorial project.
Coming from an academic background, we’ve tried to provide a balanced narrative: not too scholarly, yet still substantial. 🧠
We’ve only just begun, with plenty of exciting developments already in the pipeline. 🚀
A huge thank you to ONBD, SuperRare, Zora, Massage Magazine, and Outland for the support and assistance they’ve provided so far. TYSM to all the artists we’ve curated and those we will in the future — <3
🔥 Visuals: Nicole Ruggiero x Inès Alpha, Emi Kusano, Raquel Meyers, Kyt, and polygon1993.
Please read and collect if you want to help Vienna and me to have a website for this project. Merci x 1000 🙏
🖤 @lens/lens @lens/orb @lens/mariapaula
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♡ ༘ ⋆ CURATING TECHNOSTALGIA BEYOND AESTHETICS ♡ ༘ ⋆
Vienna Kim & me, April 2024 ( •ॢᴗ•ॢ⋈)
We e-met during the bull run of 2022 while freelancing for SuperRare. Very quickly, we found we had a shared interest for early web aesthetics, Animal Crossing memes, Y2K subcultures, and translucent collectible electronics. We wanted to investigate what it was, exactly, that made such content so appealing to us, working off a hunch that we surely weren’t the only ones to feel this way, and realized that the common denominator in the media and culture we loved was that each of them exuded the hazy yet somehow comforting allure of technostalgia. These observations and passions eventually fueled the creation of LAN Party, our collaborative curatorial project that, in its first arc, aims to critically explore the concept of technostalgia within the Web3 space.
Whilst we love the sentimentality and the aesthetics of artworks that explore technostalgia, we’re not just here for the vibes. We aim for this focus to serve as a unique lens through which we examine the pulse of contemporary digital culture, drawing on our personal observations, existing research, and what artists are currently producing. Our goal is to shed light on the newly found adoration for technostalgia in Web3, delineating its complexities and measuring its influence on the present and future cultural landscape.
We have already explored the aesthetic practices and the tradition of collecting and curating within Web3, positioning it as an extension of the historical and widespread human pursuit of gathering. We’ve also observed that the influence of rapid technological progress has resulted in a resurgence of technostalgic visuals and art forms, such as ASCII, pixel or low-poly art, signaling a shift away from powerful AI-generated or CGI creations. Through these reflections, we aim to explore how technostalgia is shaping our future, especially as Web3 underscores its pivotal role in today’s digital cultural landscape.
Here are some of our thoughts:
UNDERSTANDING TECHNOSTALGIA ☆゚.*・。゚
Technostalgia is an emotional reaction–often sentimental, close to a longing–that is most commonly associated with technology from the 1980s - 2000s. It pines for the machines and the internet we fell for beautiful yet flawed, with a broken design that felt at once frustrating and serendipitous. This specific strain of nostalgia has the power to act as a retro-tech time machine, whisking us back to the era of chunky pixels, ‘90s web interfaces, and low-poly graphics.
In the Web3 space, this blast from the past is particularly relevant. On top of the allure of the aesthetic layer, technostalgia in Web3 also reflects a yearning for the original values of the Internet: decentralization, transparency, and democratization. This sentiment influences the development and perception of the Web3 ecosystem, driving a desire to recapture the possibilities and freedom associated with the ‘Wild West’ days of the internet, the read-only web, or Web 1.0.
Technostalgia has taken on new prominence in response to the dizzying pace of technological advancement, especially with the palpable tension and anxiety society has developed around surveillance capitalism, data protection, and AI proliferation. As new technologies and systems quickly replace old ones, we often find ourselves missing the tech we used to play with in the '90s or '00s. This could be anything from the sound of a dial-up modem connecting to the network, the feel of a GameBoy or Tamagotchi in our hands, the Uh Oh! of ICQ or the sight of the Windows 95 startup screen. While these memories evoke an attraction for the simplicity and beauty of past technologies, they also present a paradox: whilst our society seems all-in on the advancements of the present, we grapple with the allure of the less efficient, clunky, buggy, and yet emotionally resonant tech of yesteryears, highlighting the slippery (and very human) state of alternating between progress and sentimentality.
TECHNOSTALGIA IN WEB3 ☆゚.*・。゚
Web3 is a new phase of the internet that is built on blockchains. It represents a shift from the current centralized model controlled by a handful of corporations to a decentralized model where use and access are controlled by community-run networks. The evolution of the internet can be described in three stages. Web1 was the first draft of the internet which proliferated in the 1990s and early 2000s, where people mostly used the internet to read web pages and chat. Web2 came about in the mid-2000s, with the emergence of social media platforms like Myspace, Facebook, and Twitter, empowering users to create their own content.
Web3 is the next phase, where users not only read and write content but also own it.
In the context of Web3, technostalgia takes on new significance, as it allows us to appreciate the journey of the internet from its inception to its current state, and now towards Web3 in full effect. Understanding the evolution of the internet from its origin to the present day is crucial because it provides us with a roadmap of previous innovations and challenges, informing our decisions and strategies as we build a more decentralized, transparent, and user-empowered digital world. This historical perspective is key to ensuring that Web3 not only replicates the successes of previous iterations but also learns from their shortcomings, notably utilizing the blockchain to enable a more thoughtful and inclusive future for the internet. The result: forging a path that honors the past while boldly innovating for tomorrow.
TECHNOSTALGIA AND DIGITAL ART ☆゚.*・。゚
In the context of digital art, technostalgia acts as a theme, sentiment, and lens for critique. This can take the form of adopting retro tech aesthetics such as pixel art or low-poly 3D renders, to reappropriating and/or making use of obsolete technologies. We can divide these approaches largely into two categories: The Sentimental and The Critical.
_1. The Sentimental_
Artists and artworks that adopt The Sentimental approach to technostalgia often reappropriate the aesthetics of retro, 90s, or Y2K technologies and present them in a way that evokes a strong emotional reaction in the viewer as they relate what they see in the work with their own experiences and memories of these technologies. Our first online exhibition on SuperRare, The Crypto Pawnshop, explored the sentimental approach to technostalgia in depth, developing the visual imaginary of a fictional ‘crypto pawnshop’ that stocked a series of gadgets and gizmos that upon first view appeared to be reminiscent of the real-life objects we used to own, and yet they are purely speculative, often exhibiting a broken or non-functional design. The dissociation of these imaginary objects from that which existed concretely demonstrates the anesthetizing effect of technostalgia; our flawed memories often over-apply sentimental or aesthetic value to these objects which, in reality, would often glitch or fail. By leaning into this dissociation, these artworks dive wholly into the purely ‘sentimental’ value of Technostalgia, favoring emotional reminiscences over factual verity.
Some artists that have adopted the sentimental approach to technostalgia include Emi Kusano, Kyt, POLYGON1993, and Nicole Ruggiero, to name a few.
_2. The Critical_
The Critical approach to exploring technostalgia takes on radically different methodologies to that of The Sentimental. Often, these artists directly employ obsolete technological tools (for example, older models of computers such as the Commodore 64), to analyze our society’s current relationship with outdated tech. These artists often emphasize the importance of retaining a critical stance when considering our relationship with technology and the speed at which it is developing, and often also treat environmental concerns, such as what happens to all the technological waste that accumulates once these machines are at their term’s end.
Notably, artist Dev Harlan stakes his claim within the ‘Critical’ camp in his essay “Notes on Retrofuturism” for Right Click Save magazine, declaring: “Nostalgia is a longing for an imagined past which allows one to gloss over unpleasant or undesirable histories to cope with the present. In this way, technostalgia privileges an imagined history of technology and an anesthetized view of that history. But sentimentalism is the opposite of criticality.” He goes on to describe his fascination with collecting discarded electronics, with an impulse that was initially motivated by technostalgia but quickly evolved into critiquing the wastefulness of the tech sector. He gathered and reappropriated hundreds of outdated models of computers, motivated by the motto “obsolescence is a lack of imagination”, to create gaming lounges or digital art installations to prolong the life of these machines that had been discarded for newer, shinier models.
Raquel Meyers is another artist who uses obsolete technologies, such as a Commodore 64 computer, to create her digital artworks. The use of older models circumscribes the artist’s visual output in the style of computer artworks from the 1980s, automatically transcribing onto them a technostalgic aesthetic. And yet, the artist does not pander to sentimentality in her work, instead opting to make use of obsolete technologies to highlight urgent contemporary concerns. For example, in her work Cuando la casa se quema, la obsolescencia es resistencia [When the House Burns Down, Obsolescence is Resistance], which we curated in our second exhibition on Zora, TEXTSCAPE: ASCII Art, Textmode & its Derivatives, the artist creates a scrolling narrative of a house burning down, and the ecological and societal effects this has upon its surrounding community. The work is, of course, a metaphor for our current climate crisis, but the work is also self-reflexive in that it uses an object of obsolescence as an act of resistance (against technocapitalism? The effects of e-waste on climate change?), a concept that is also reflected in the title of the work.
CURATING TECHNOSTALGIA ☆゚.*・。゚
These two distinct poles of technostalgic approaches in digital art inform the way we can curate such artworks. Indeed, curating technostalgia in 2024 can be a double-edged sword in a couple of ways. For example, presenting works of art that fall into ‘The Sentimental’ camp may appear diametrically opposed to those in ‘The Critical’ camp, and yet both are crucial as a means of holding up a mirror to how cultures online, and more specifically Web3, respond to the phenomenon of technostalgia. Both camps co-exist, and so we aim for the works that we curate to also demonstrate this without favoring one approach over the other.
In addition, whilst curating technostalgia may serve as a digital conservation effort by capturing the essence of technological evolution, it also risks idealizing outdated technologies, potentially hindering innovation. There’s a delicate balance between valuing our digital heritage and fostering a forward-looking mindset in the ever-evolving tech landscape. After all, very little good comes from dwelling on the past.
Moreover, the role of curation in shaping the future of technostalgia cannot be overstated. As our lives become ever more digitized, our experiences and memories are ever more encapsulated in digital formats. Curating these digital artifacts is akin to creating a time capsule that allows future generations to access and understand the digital trends of our era. It’s a way of preserving the ‘digital DNA’ of our society, which includes not only the technologies themselves but also the cultural and emotional contexts in which they exist.
It has been well-documented that the concept of curation has transcended the confines of trad museum spaces (for better or for worse). When it comes to digital artworks and artifacts, curatorial practices become a social process that encompasses the selection, interpretation, and negotiation of a wide array of embodied knowledge. This shift is particularly pronounced in the Web3 space, where the zones between consumer, creator, and curator are increasingly fluid. Within this nuanced landscape, curation plays a crucial role in developing the narrative of technostalgia. It’s about constructing a story that is linked with collective memory while opening a dialogue about the way tech runs through our society.
We, as curators in the Web3 space, have the unique opportunity to influence how technostalgia is perceived and understood, ensuring that it remains a relevant and insightful aspect of our cultural discourse.
v&b
- Zksynce coming soon
- 🔥🔥🔥
"Gotta learn to love and let go, you don't know what you're tryna control"
**SONG 7: "I TOLD YOU SO"**
One more song until the whole EP is officially minted on Lens/Orb! Couldn't have had a better stage to present this very special collection 🪷
1/1
33% Referral
44k $bonsai
COMMERCIAL RIGHTS FOR COLLECTORS
**Utility:** Physical Vinyl w/ Whole Album (collectors dm me on X @ brenna_inc)
- ❌👑
- @lens/facingtheanimal, welcome to lens!
now let's get started your orb journey!
https://orb.club/@facingtheanimal
- I’ve stated from the beginning my goal is to get EVERYONE I KNOW on @lens/lens. Even if it takes fomo 😈 I’d of course rather use the allure of efficient systems but I’ll take what i can get
- Stroke by stroke I’m closer to my Holi 🧡🩷🩵
- Fidelity Digital Assets, ilk çeyreğin ardından Bitcoin için olumlu kısa vadeli görünümünü korudu, ancak orta vadeli görünümünü çeşitli ölçütlere göre revize etti.
https://tr.cointelegraph.com/news/bitcoin-no-longer-cheap-fidelity-revises-medium-term-outlook
- Check out this open call from HUG - I thought you and your art would be perfect for it! You can learn more and submit your work for free here. https://thehug.xyz/open-calls/nfc-ai-film-2024
- Good morning
- **Pray,(。♡‿♡。)**
Namaz (نماز) is the Urdu word for Salah, which is the obligatory five daily prayers performed by Muslims. It is one of the Five Pillars of Islam and a fundamental part of Islamic worship. Namaz is a physical, mental, and spiritual act of devotion, which involves:
\- Reciting verses from the Quran
\- Bowing and prostrating
\- Standing and sitting
\- Facing the direction of the Kaaba in Mecca
Performing Namaz helps Muslims:
\- Connect with Allah (God)
\- Express gratitude and humility
\- Seek guidance and forgiveness
\- Find peace and inner calm
\- Develop self-discipline and focus
Namaz is a vital aspect of Islamic practice, and Muslims aim to perform it with sincerity, devotion, and mindfulness.
- What y’all thinking about these bars??
- Long time no see!
I'm currently working on a new nft collection and want to share the creation process 🌱
- I love this art 🤩🎭
- I’ve stated from the beginning my goal is to get EVERYONE I KNOW on @lens/lens. Even if it takes fomo 😈 I’d of course rather use the allure of efficient systems but I’ll take what i can get
- 前に地図をポチポチする謎のお触りしたスクエニのゲーム、アニモカも絡んだのか
https://twitter.com/coin_post/status/1782531620425351397?s=46&t=AtAjWj6HGB8vPQGAc4FKpA
- Nothing beats a beautiful morning sky☁️
Good morning to whoever it's morning for🌿🌿
- #MiCAR compliant, programmable digital EURO runs on Algorand. Approved all over Europe. Authorized by the Dutch Central Bank. (Many advantages over a stablecoin)
- Isaiah 40:31
But they who wait for the Lord shall renew their strength; they shall mount up with wings like eagles; they shall run and not be weary; they shall walk and not faint.
- If you have ezETH, you can deposit it to #blackwing and earn BXP
blackwing.fi/umcnul
blackwing.fi/9zngkq
blackwing.fi/zvv7cu
blackwing.fi/eplw0z
blackwing.fi/mrql5s
- Moca moca moca
#mocaverse @lens/phaver