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In other countries cricket knows cricketers but in India one cricketer knew cricket. A flesh and blood man with a divine power to make a third world country full of religion, casteism, weak economy, political strife forget everything for a while and wake up to nationalism... Sachin Ramesh Tendulkar. Atheist. And in a country of 130 crores full of believers, the god of religion called cricket 🙏🙏🙏..... Happy birthday God. The Man, The myth, The legend
In other countries cricket knows cricketers but in India one cricketer knew cricket. A flesh and blood man with a divine power to make a third world country full of religion, casteism, weak economy, political strife forget everything for a while and wake up to nationalism... Sachin Ramesh Tendulkar. Atheist. And in a country of 130 crores full of believers, the god of religion called cricket 🙏🙏🙏..... Happy birthday God. The Man, The myth, The legend
How Lens could on-board next 1M users? Throw any ideas below (no idea is bad)
📸 PHAVER-UP: Final Snapshot 🦄 20k Phaver users active with Moca IDs! 🔥🪐 We raffled 1000 WL slots: 750 for Moca ID criteria*, 200 via OKX partnership and 50 for connecting a Mocaverse NFT. Mint Details on Magic Eden: - 24th April, 4pm UTC - Collection Link & qualified wallets⤵️ *HOLD UP OGs! 750 including 100 oldest Phaver Profiles by date of joining and 100 Phaver Profiles with a Frens badge. Each connected asset to Cred granted an extra raffle ticket. 💜 Qualified Wallets👇 https://docs.google.com/spreadsheets/d/1LC-Yjj6N6HKCKcLGsLDDWN3rkXrit0Ywsp9H6o8FOxY/edit?usp=sharing - Users push-notified ✔️ Collection Link👇 https://magiceden.io/launchpad/polygon/phaver_up_genesis_edition Stay cautious of scam links. Always verify through our official channels.
🔥😮💨 This text might just be the clearest explanation yet of where my curatorial partner Vienna and I stand in our Technostalgia research and curatorial project. Coming from an academic background, we’ve tried to provide a balanced narrative: not too scholarly, yet still substantial. 🧠 We’ve only just begun, with plenty of exciting developments already in the pipeline. 🚀 A huge thank you to ONBD, SuperRare, Zora, Massage Magazine, and Outland for the support and assistance they’ve provided so far. TYSM to all the artists we’ve curated and those we will in the future — <3 🔥 Visuals: Nicole Ruggiero x Inès Alpha, Emi Kusano, Raquel Meyers, Kyt, and polygon1993. Please read and collect if you want to help Vienna and me to have a website for this project. Merci x 1000 🙏 🖤 @lens/lens @lens/orb @lens/mariapaula ————- ♡ ༘ ⋆ CURATING TECHNOSTALGIA BEYOND AESTHETICS ♡ ༘ ⋆ Vienna Kim & me, April 2024 ( •ॢᴗ•ॢ⋈) We e-met during the bull run of 2022 while freelancing for SuperRare. Very quickly, we found we had a shared interest for early web aesthetics, Animal Crossing memes, Y2K subcultures, and translucent collectible electronics. We wanted to investigate what it was, exactly, that made such content so appealing to us, working off a hunch that we surely weren’t the only ones to feel this way, and realized that the common denominator in the media and culture we loved was that each of them exuded the hazy yet somehow comforting allure of technostalgia. These observations and passions eventually fueled the creation of LAN Party, our collaborative curatorial project that, in its first arc, aims to critically explore the concept of technostalgia within the Web3 space. Whilst we love the sentimentality and the aesthetics of artworks that explore technostalgia, we’re not just here for the vibes. We aim for this focus to serve as a unique lens through which we examine the pulse of contemporary digital culture, drawing on our personal observations, existing research, and what artists are currently producing. Our goal is to shed light on the newly found adoration for technostalgia in Web3, delineating its complexities and measuring its influence on the present and future cultural landscape. We have already explored the aesthetic practices and the tradition of collecting and curating within Web3, positioning it as an extension of the historical and widespread human pursuit of gathering. We’ve also observed that the influence of rapid technological progress has resulted in a resurgence of technostalgic visuals and art forms, such as ASCII, pixel or low-poly art, signaling a shift away from powerful AI-generated or CGI creations. Through these reflections, we aim to explore how technostalgia is shaping our future, especially as Web3 underscores its pivotal role in today’s digital cultural landscape. Here are some of our thoughts: UNDERSTANDING TECHNOSTALGIA ☆ﾟ.*･｡ﾟ Technostalgia is an emotional reaction–often sentimental, close to a longing–that is most commonly associated with technology from the 1980s - 2000s. It pines for the machines and the internet we fell for beautiful yet flawed, with a broken design that felt at once frustrating and serendipitous. This specific strain of nostalgia has the power to act as a retro-tech time machine, whisking us back to the era of chunky pixels, ‘90s web interfaces, and low-poly graphics. In the Web3 space, this blast from the past is particularly relevant. On top of the allure of the aesthetic layer, technostalgia in Web3 also reflects a yearning for the original values of the Internet: decentralization, transparency, and democratization. This sentiment influences the development and perception of the Web3 ecosystem, driving a desire to recapture the possibilities and freedom associated with the ‘Wild West’ days of the internet, the read-only web, or Web 1.0. Technostalgia has taken on new prominence in response to the dizzying pace of technological advancement, especially with the palpable tension and anxiety society has developed around surveillance capitalism, data protection, and AI proliferation. As new technologies and systems quickly replace old ones, we often find ourselves missing the tech we used to play with in the '90s or '00s. This could be anything from the sound of a dial-up modem connecting to the network, the feel of a GameBoy or Tamagotchi in our hands, the Uh Oh! of ICQ or the sight of the Windows 95 startup screen. While these memories evoke an attraction for the simplicity and beauty of past technologies, they also present a paradox: whilst our society seems all-in on the advancements of the present, we grapple with the allure of the less efficient, clunky, buggy, and yet emotionally resonant tech of yesteryears, highlighting the slippery (and very human) state of alternating between progress and sentimentality. TECHNOSTALGIA IN WEB3 ☆ﾟ.*･｡ﾟ Web3 is a new phase of the internet that is built on blockchains. It represents a shift from the current centralized model controlled by a handful of corporations to a decentralized model where use and access are controlled by community-run networks. The evolution of the internet can be described in three stages. Web1 was the first draft of the internet which proliferated in the 1990s and early 2000s, where people mostly used the internet to read web pages and chat. Web2 came about in the mid-2000s, with the emergence of social media platforms like Myspace, Facebook, and Twitter, empowering users to create their own content. Web3 is the next phase, where users not only read and write content but also own it. In the context of Web3, technostalgia takes on new significance, as it allows us to appreciate the journey of the internet from its inception to its current state, and now towards Web3 in full effect. Understanding the evolution of the internet from its origin to the present day is crucial because it provides us with a roadmap of previous innovations and challenges, informing our decisions and strategies as we build a more decentralized, transparent, and user-empowered digital world. This historical perspective is key to ensuring that Web3 not only replicates the successes of previous iterations but also learns from their shortcomings, notably utilizing the blockchain to enable a more thoughtful and inclusive future for the internet. The result: forging a path that honors the past while boldly innovating for tomorrow. TECHNOSTALGIA AND DIGITAL ART ☆ﾟ.*･｡ﾟ In the context of digital art, technostalgia acts as a theme, sentiment, and lens for critique. This can take the form of adopting retro tech aesthetics such as pixel art or low-poly 3D renders, to reappropriating and/or making use of obsolete technologies. We can divide these approaches largely into two categories: The Sentimental and The Critical. _1. The Sentimental_ Artists and artworks that adopt The Sentimental approach to technostalgia often reappropriate the aesthetics of retro, 90s, or Y2K technologies and present them in a way that evokes a strong emotional reaction in the viewer as they relate what they see in the work with their own experiences and memories of these technologies. Our first online exhibition on SuperRare, The Crypto Pawnshop, explored the sentimental approach to technostalgia in depth, developing the visual imaginary of a fictional ‘crypto pawnshop’ that stocked a series of gadgets and gizmos that upon first view appeared to be reminiscent of the real-life objects we used to own, and yet they are purely speculative, often exhibiting a broken or non-functional design. The dissociation of these imaginary objects from that which existed concretely demonstrates the anesthetizing effect of technostalgia; our flawed memories often over-apply sentimental or aesthetic value to these objects which, in reality, would often glitch or fail. By leaning into this dissociation, these artworks dive wholly into the purely ‘sentimental’ value of Technostalgia, favoring emotional reminiscences over factual verity. Some artists that have adopted the sentimental approach to technostalgia include Emi Kusano, Kyt, POLYGON1993, and Nicole Ruggiero, to name a few. _2. The Critical_ The Critical approach to exploring technostalgia takes on radically different methodologies to that of The Sentimental. Often, these artists directly employ obsolete technological tools (for example, older models of computers such as the Commodore 64), to analyze our society’s current relationship with outdated tech. These artists often emphasize the importance of retaining a critical stance when considering our relationship with technology and the speed at which it is developing, and often also treat environmental concerns, such as what happens to all the technological waste that accumulates once these machines are at their term’s end. Notably, artist Dev Harlan stakes his claim within the ‘Critical’ camp in his essay “Notes on Retrofuturism” for Right Click Save magazine, declaring: “Nostalgia is a longing for an imagined past which allows one to gloss over unpleasant or undesirable histories to cope with the present. In this way, technostalgia privileges an imagined history of technology and an anesthetized view of that history. But sentimentalism is the opposite of criticality.” He goes on to describe his fascination with collecting discarded electronics, with an impulse that was initially motivated by technostalgia but quickly evolved into critiquing the wastefulness of the tech sector. He gathered and reappropriated hundreds of outdated models of computers, motivated by the motto “obsolescence is a lack of imagination”, to create gaming lounges or digital art installations to prolong the life of these machines that had been discarded for newer, shinier models. Raquel Meyers is another artist who uses obsolete technologies, such as a Commodore 64 computer, to create her digital artworks. The use of older models circumscribes the artist’s visual output in the style of computer artworks from the 1980s, automatically transcribing onto them a technostalgic aesthetic. And yet, the artist does not pander to sentimentality in her work, instead opting to make use of obsolete technologies to highlight urgent contemporary concerns. For example, in her work Cuando la casa se quema, la obsolescencia es resistencia [When the House Burns Down, Obsolescence is Resistance], which we curated in our second exhibition on Zora, TEXTSCAPE: ASCII Art, Textmode & its Derivatives, the artist creates a scrolling narrative of a house burning down, and the ecological and societal effects this has upon its surrounding community. The work is, of course, a metaphor for our current climate crisis, but the work is also self-reflexive in that it uses an object of obsolescence as an act of resistance (against technocapitalism? The effects of e-waste on climate change?), a concept that is also reflected in the title of the work. CURATING TECHNOSTALGIA ☆ﾟ.*･｡ﾟ These two distinct poles of technostalgic approaches in digital art inform the way we can curate such artworks. Indeed, curating technostalgia in 2024 can be a double-edged sword in a couple of ways. For example, presenting works of art that fall into ‘The Sentimental’ camp may appear diametrically opposed to those in ‘The Critical’ camp, and yet both are crucial as a means of holding up a mirror to how cultures online, and more specifically Web3, respond to the phenomenon of technostalgia. Both camps co-exist, and so we aim for the works that we curate to also demonstrate this without favoring one approach over the other. In addition, whilst curating technostalgia may serve as a digital conservation effort by capturing the essence of technological evolution, it also risks idealizing outdated technologies, potentially hindering innovation. There’s a delicate balance between valuing our digital heritage and fostering a forward-looking mindset in the ever-evolving tech landscape. After all, very little good comes from dwelling on the past. Moreover, the role of curation in shaping the future of technostalgia cannot be overstated. As our lives become ever more digitized, our experiences and memories are ever more encapsulated in digital formats. Curating these digital artifacts is akin to creating a time capsule that allows future generations to access and understand the digital trends of our era. It’s a way of preserving the ‘digital DNA’ of our society, which includes not only the technologies themselves but also the cultural and emotional contexts in which they exist. It has been well-documented that the concept of curation has transcended the confines of trad museum spaces (for better or for worse). When it comes to digital artworks and artifacts, curatorial practices become a social process that encompasses the selection, interpretation, and negotiation of a wide array of embodied knowledge. This shift is particularly pronounced in the Web3 space, where the zones between consumer, creator, and curator are increasingly fluid. Within this nuanced landscape, curation plays a crucial role in developing the narrative of technostalgia. It’s about constructing a story that is linked with collective memory while opening a dialogue about the way tech runs through our society. We, as curators in the Web3 space, have the unique opportunity to influence how technostalgia is perceived and understood, ensuring that it remains a relevant and insightful aspect of our cultural discourse. v&b
gn 420 fam 🌿🌳💨 Created with Stable Diffusion & PSExpress 420 $BONSAI Limited edition of 42.0 for 024 hours 42.0% referral
are you redy lens lover🤑
are you redy lens lover🤑
Borrow now $USDC against your $bonsai via @lens/timeswap_labs ! https://app.timeswap.io/borrow/f1240e34-fb50-45b8-9aa1-14dfe4948b84 There are 125k $bonsai up in incentives for borrowers and lenders (10% APR, 1 month maturity). Just think of Timeswap as Uniswap, except for lending/borrowing! Borrow ➡️ Set a reminder ➡️ Deploy your new capital! (100 🌳 | 30 📅 | 100% 🪞 )
Bitcoin halving countdown start 👉
Bitcoin halving countdown start 👉
Ta-da! So, the other day, I went on a mini trip with my family! This is the shrine we visited during our trip. It was a bit cloudy, which was a tad disappointing. 🥹🤳☁️
Bonsi 🤑
Bonsi 🤑
Amazing creatures! @lens/phaver has decided to GIFT the phaver lagoon community members of A SPECIAL UNDERWATER RAFFLE of 2 PHAVER UP GENESIS NFT To participate go to https://monniverse.xyz and look for the Mermaid Tail for instructions! Phaver will SELECT the winners ! Let's keep bubbling, let's keep phavering
Just beering around 🍻
Har har mohadev🙏
Har har mohadev🙏
😇
😇
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Assalam Walekum
LFG
gM 🌞
This dashboard is epic to breakdown L2 gas costs per transaction type https://www.gasfees.io/
good morning gusy🤭
good morning gusy🤭
🗣️2024, year of #Airdrops 🗣️2024, year of #Airdrops 🗣️2024, year of #Airdrops 🗣️2024, year of #Airdrops 🗣️2024, year of #Airdrops 🗣️2024, year of #Airdrops 🗣️2024, year of #Airdrops 🗣️2024, year of #Airdrops 🗣️2024, year of #Airdrops 🗣️2024, year of #Airdrops 👇Say it back https://twitter.com/CryptoTeluguO/status/1776832768326172930?t=3b9BcigDKg8IuD63ZRDUng&s=19
Black & Red The combination of black and red is a powerful and popular color scheme that has been used throughout history in various contexts such as art, fashion, politics, and spirituality. This classic pairing creates a bold, dramatic, and sophisticated aesthetic, evoking a range of emotions including passion, intensity, elegance, and mystery. Black and red together symbolize life's dualities and a balance of energies. While this high-contrast combination can be visually striking and effective in many designs, it should be used thoughtfully as it can also convey darkness or aggression if not balanced properly. Overall, the timeless appeal and deep cultural meanings behind the black and red color scheme ensure its enduring popularity across many domains.
GM Frens! 💜Community Call 28 is coming up🫡 We’ll cover the new Onboarding, and might share a breakthrough in Phaver’s approach to on-chain 🆙 👀 Join the conversation! 👉 Link below. Mobile? Download01. 📅 Thursday, Mar 28, 3PM UTC 📍On Huddle01: https://phaver.huddle01.com/rmr-vqkq-rem/audio Add to calendar & enter raffle ⤵️ https://link3.to/e/GWXLsg 10x1000 Phaver Points up for grabs! 🎉 Ready for what's next? 👨🚀 🦄
GM / 좋은 아침이에요 Frens! 💜 🇰🇷 We’re hosting Seoul Extravaganza, the biggest Web3 event in Korea 🇰🇷, in collaboration with Mocaverse, SuperWalk & frens. 🥳 💯 You’re warmly welcome to join us! ⏰ 29th March, 6:00 PM - 12:00 AM GMT+9 📍 The River, Seoul To attend, register here: 👉 https://lu.ma/Seoul-Extravaganza
GM GM Frens! 💜 Big news.. 🎊 📣 Introducing: PHAVER-UP: GENESIS EDITION With $ 150M in NFTs connected to Phaver Cred it’s time to go on-chain with the ultimate utility NFT! 🆙 🪂 👀 2000 limited collection on Polygon & only mintable for free on Magic Eden Launchpad April 10th 🪄 Learn more about perks & whitelist below 👇 Visit ➡️ https://cointelegraph.com/press-releases/leading-web3-social-app-phaver-kickstarts-its-on-chain-economy-with-phaver-up-nfts How to get the Phaver-Up? Both early and new users have opportunities to qualify weekly. More information on whitelistings, auctions, and raffles can be found here: https://phaver.gitbook.io/phaver-help-center/phaver-up-nfts/what-is-a-phaver-up-nft 🌿 🦄 🔗 Magic Eden collection link 👇 https://magiceden.io/launchpad/polygon/phaver_up_genesis_edition Stay cautious of scam links. Always verify through our official channels. https://cointelegraph.com/press-releases/leading-web3-social-app-phaver-kickstarts-its-on-chain-economy-with-phaver-up-nfts
i am coming😉
i am coming😉
chil
chil
**TEA 🔤🔤 CLAIM REWARD WORKING** **COMPLETE REST OF TASK** https://app.tea.xyz/sign-up?r=t1yQg6LJNS7
Here is a present. open edition. 222 $BONSAI give some people a way to support ( im aware alot of my mints are high so making this lower as possible)
💥Get ready for $ZKS 🪂 @zksync Airdrop coming soon 👇Important zkSync updates from the founder 1️⃣Decentralization is Critical step 2️⃣Huge progress made in this 3️⃣Coming close
💥Get ready for $ZKS 🪂 @zksync Airdrop coming soon 👇Important zkSync updates from the founder 1️⃣Decentralization is Critical step 2️⃣Huge progress made in this 3️⃣Coming close
I just claimed my $BONSAI reward on @lens/orb!
Paddy seedlings are being planted in my field, friends Have you seen plantingwithout rice to eat before? Let me know in the comments. 💚
Joy baba
God is great
Paddy seedlings are being planted in my field, friends Have you seen plantingwithout rice to eat before? Let me know in the comments. 💚
Trying something new, made a Lenshead and it is yours if you claim it (1 of 1)
Good morning Lens Lovers 🥰 Have a Good day.
https://app.zklink.io/aggregation-parade?inviteCode=842AC4